Fighting Crime, Spinning Webs

I love Spider-Man. As a kid, he was the first comicbook character I collected. I had a huge collection of Spidey comics. I loved the 90’s cartoon. And when they started selling the US comics in stores in Ireland, the first one I bought was, of course, a Spider-Man issue. Though I was a bit lost, as the UK reprint collections I had been buying as well were about 6 to 8 months behind, so I had a lot to fill in. 

I was incredibly excited at the prospect of seeing my hero in live action in a major summer blockbuster movie with the budget and team to make it look good, and I adored the web swingers 2002 release, starring Toby Maguire. 

The follow-up in 2004, pitting our friendly neighborhood wall crawler against the awesome mind and might of Doctor Octopus took everything to the next level, resulting in a movie that still thrills me to this day. It did, however, get me in a not insignificant amount of trouble with my girlfriend for buying a super articulated 18 inch tall action figure released for that sequel, which I still have to this day, and I bring him to the cinema for the wall crawler’s big events, much to many other fans amusement. 

Although they generally get poor reviews from critics and fans alike, I unironically enjoyed the Andrew Garfield movies from the 2010’s. I still think that while the Toby Maguire had a much better Peter Parker, the Garfield ones captured Spider-Man far more accurately. But both are outdone by the Tom Holland series that brings Spider-Man and friends into the mega blockbuster universe that all began in 2008 with Iron Man. 

Being a comic character, it’s no surprise that I love his animated outings as well. The incredible Spectacular Spider-Man from 2008 is one of my all-time favourite cartoon series, with its gorgeous, clean, minimalistic designs, absolutely rocking theme tune, and top tier character development and story arcs. It died too soon, cancelled after only two seasons, ending on a cliffhanger, thanks to the purchase of Marvel by Disney. Disney! Till all are one! 

The theatrically released animated Into The Spider-Verse movie from 2018 left me utterly stunned in the cinema, sitting jaw wide open, gapping at the unique visual touches, the masterful characters and plot and the unexpected twists and turns, all wrapped in a genuinely touching story about family, love and loss. I consider it to be one of the finest superhero movies ever made, and certainly the best Spider-Man movie to date. 

All this to say that I’m very excited for the upcoming third instalment in the Marvel Cinematic Universe Spider-Man series, No Way Home. 

Earlier tonight, I got my tickets for the preview screening on Thursday, December 16th in downtown. I would have preferred to get tickets for my local theatre, but all the good screenings (Read: Not 3D) were sold out by the time I learned they were even available. 

Friday morning had lots of space, so I’m also going to go see it then.

And maybe once more over the weekend. I haven’t decided yet.

Of course I’ve decided. You know me too well. 

The Trouble With Streaming

I loved DVD’s when they were a thing. The higher image quality and the ability to jump to my favourite scenes instantly were neat, but the thing I loved most about DVD’s was the extra storage space they provided, allowing studios the freedom to bundle extras like blooper reels, behind-the-scenes documentaries, commentary tracks and making-of featurettes.

I adored seeing the magic behind the curtain. It never robbed me of the beauty of cinema, but made it shine even brighter. I watched those bonus features more than the movie they came with. 

But as DVD’s and physical media transitioned into the streaming services, those bonus feature became more and more difficult to track down. Netflix never had making-of specials included with the movie for the longest time, and still doesn’t for most of it’s content. Neither Prime nor Apple TV seem to make a habit of it either. Occasionally, someone would upload such content to YouTube, and even more occasionally, it would an official source.

In their defense, Netflix does have a series called “The Movies That Made Us” that looks back at an ever increasing catalogue of classic movies and the trials and tribulations that went into making them. I find every episode fascinating, even the ones on movies I’ve never seen, like classic slasher Friday the 13th. They get wonderful stories from costume and set designers, scriptwriters, producers, and actors and more. The documentary series highlights the less often heard voices compared to studio produced making-of features, and getting far more gritty and truthful confessions on what it was like to create my favourite, and not so favourite movies. 

Most recently, Disney+ has embraced it full on though. The recent Marvel movies and series all have additional content to support them available directly on the service, and I love them! As soon as I finish the movie or show, I jump into the making-of stuff, because it’s right there! Often linked in the end screen. 

I hope this trend continues and we see a return to the overloaded content that used to be included on DVD’s. Netflix does have some great features up for it’s recent high fantasy series,  The Witcher, so, I live in hope. 

No Spoilers!

Back in my day, we had TV ad breaks and pre-show cinema trailers, and we liked it!

Actually, we hated it. I recall trying to download tiny pixelated 480P trailers on the college computers at UCC just so I could watch Spider-Man web a helicopter full of bank thieves between two iconic buildings in New York. 

There was a time, however brief, when people would pay to see a mediocre movie just to watch a new trailer for a major upcoming release, such as The Matrix or Lord of the Rings. 

Today’s standard deluge of endless previews and promos and extended scenes and “first five minutes” were unheard of. You got a few trailers in the months running up to release, all made up of broadly the same footage, with maybe one or two unique shots to justify it’s existence. 

If feels like these days you can piece together 75% of a movie from the promotional material. In fact, the inspiration for this post was a clip from the soon to launch Hawkeye series for Disney+ that I watched just before starting to write this. I didn’t mind because the clip was short and while I’m looking forward to the series, I’m not super worried about light spoilers. It’s not like an official promo piece was going to spoil the ending or anything before the series even airs, unlike all those “What the Last 3 Minutes of the Big New Movie That Only Came Out Today Means” that are all over YouTube for every major release. 

On the other hand, I am already 100% sold on the upcoming Spider-Man Marvel Universe movie, No Way Home. If I don’t see a single frame, set photo, news article, rumour or trailer before I see the movie in theatres this December, I’ll be delighted! I have a bunch of keywords muted on Twitter in the hopes that they won’t show up on my feed. 

However, last Tuesday a new trailer dropped, with loads of new footage and new big plot reveals. I had long before decided that nothing would get me to watch it, but as soon as it was online, YouTube helpfully pushed it into my suggested feed. Not an issue, I can just not click on it. But there was a new character reveal right there in the thumbnail. Worse, while I had gathered enough rumours in the months previously that I expected this particular character to appear, I now had their new look spoiled on me. 

I miss going in to movies blind, being totally shocked by every twist and turn of the plot, every reveal and cameo. It feels like the only way to achieve that today is to swear off the internet in the months before the release. And as much as I love you, Spider-Man, I love the internet more. 

Review: The Dark Knight Rises

Gonna keep this one very, very spoiler-free, so instead of going into detail about what I did or didn't like about the story or elements, I'll just compare it in broad strokes to the two other summer comic-book movies I watched, The Avengers and The Amazing Spider-Man.

The Dark Knight Rises rounds out the summer comic-book movie blockbuster season, and, if reports are to be believed, the Christopher Nolan/ Christian Bale collaboration on the franchise. And it's a fine swan-song. Enjoyable, but not the pinnacle of comic-book movies that some people seem to be claiming. There are huge, tumbler-sized plot holes throughout, some missed opportunities, and it could stand to be trimmed by 30 to 45 minutes.

While Banes voice has vastly improved from when I saw the opening six minutes at the start of Mission Impossible 4 in IMAX, there are still some terribly mumbled scenes, and I missed several lines of dialogue. Worse, I even found it difficult to catch what Gordon was saying in one particular scene, and got two characters completely confused, which led to me not understanding a key plot towards the end of the movie. Full disclosure: No one else made the same mistake, so it my have just been me getting bored at that point in the film.

The Avengers still stands as the best the summer offered. It was the perfect blend of action, character moments and well paced, super-powered fights.

If I'm, being honest, TDKR is probably a better movie than The Amazing Spider-Man for most people, but as a big fan of the friendly neighborhood wall-crawler, my bias has to be taken into account when I say that I had a better time watching Spidey than Batman.

I deconstructed the movie with some friends after, and the general agreement was that it was better than I thought. Take from this what you want.

In summary, it's far from a bad movie (I'm looking at you, Prometheus), but it's nowhere near a great movie either. I feel it will do well in the box-office figures, but given time, people will sour to it as the problems it has sink in or become more obvious with repeated viewings.